Cleopatra (1964)

And we thought DeMille's version was extravagant. After the death of Julius Caesar, Cleopatra, Queen of Egypt, becomes infatuated with Mark Antony. Costly four-hour epic functions like a blimp-sized, multi-colored sleeping tablet. Historical characters are utterly dwarfed by the film's massive scope, and audiences are benumbed by a spectacle of crowd scenes and opulent, grotesque interiors. Taylor looks and often acts like a sex bomb ruler, while Harrison has some notion of Caesar's majesty. Burton, however, is hopelessly wooden. Hard to believe this came from director Mankiewicz.