The Rectangular Console Table in Medium Hammered Copper belongs to the category of objects that are bought because of what they are, not what they hold. Three surfaces, no legs, one continuous Medium Hammered Copper metal skin with a smooth polished centre band running through the hammered field on all three faces. The piece is 72 inches wide and 30 inches tall, designed by an architect who visited Rajasthan and worked directly with the craftsmen on the surface. The result is a table that is specific and cannot be replicated industrially.The wood structure is clad in Medium Hammered Copper metal fitted by hand. Within the same piece, craftsmen apply two distinct surface textures: Medium Hammered Copper hammering across the outer surfaces, and a smooth centre band polished separately. Flush-set nails at the corner joints are the only hardware. The process takes several weeks and involves metalworking skills working in sequence. Each piece reflects natural variation that is part of handmade metal production.Measures 72 by 16 by 30 inches. Functions as a console table, entry table, hall table, sofa table, or collectible accent piece. The parsons-style no-leg form keeps the geometry clean. Available in medium and fine hammered finishes across all four metals. Custom sizing and commissions available. Made entirely to order.Designed by Alison Spear for Stephanie Odegard Collection. Alison Spear, AIA, is an award-winning architect and interior designer whose practice spans residences, hotels, and commercial spaces across the United States. She created this table during a visit to Rajasthan with Stephanie Odegard, directing the craftsmen on the two-texture surface technique. Produced in Udaipur.Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character.The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.