Tan’s practice, since graduating from the China Academy of Art, has been focused on the ancient technique of lost-wax casting. This ancient foundry process has created an intersection between Tan’s interest in heritage casting techniques and organic forms. The forms designed by Tan vary from being environmental (water drops, tree roots) to being figurative (spinal cords, pelvic structures). The Lily collection brings together the botanical and human motifs most explicitly. The tension between the two references cause the works to become abstracted and take on a slightly surreal quality, whilst maintaining functionality.