This lean design is possible only by fashioning old ornaments from new materials, such as metal, which allow the chair's components to be extremely thin, but to come together in a rigid ensemble. That is what this 1960s chair is all about: a momentary rebirth of the baroque side chair, new and improved, but still holding fast to past ideas of beauty and elegance. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no official proof of authenticity, however it is well documented in design history. I take full responsibility for any authenticity issues arising from misattribution