The doors are the thing to study first — clear glass panels set flush into the powder-coated steel frame, held shut by a magnet so discreet the closure almost disappears. Carolina Wilcke drew the Tangled Showcase from the steel window profiles of old industrial buildings, and that lineage is visible in the frame's graphic economy: no surplus material, no ornament beyond the lines the structure already makes. Four shelves, nearly five feet of height. What's inside becomes the only subject.
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