The Louise Fleur de Lis Dresser is 84 inches of Fleur de Lis carving in Medium Hammered Antiqued White Bronze metal, nine drawers in three rows across a serpentine front on cabriole legs. The pattern is a repeating motif of stylised heraldic lilies carved into solid teak before the Medium Hammered Antiqued White Bronze cladding is pressed into the relief. The piece is 33 inches tall and 18 inches deep — a dresser proportion that also works as a long sideboard. The carving covers front, sides, and top without interruption.The teak structure is carved before Medium Hammered Antiqued White Bronze metal is hand-fitted to each surface. The Fleur de Lis relief requires careful fitting across the full 84-inch front; each section is secured with flush-set nails. Nine drawers open on smooth runners with integrated metal pulls.Measures 84 by 18 by 33 inches. Nine drawers in three rows of three. Works as a chest of drawers, dresser, sideboard, buffet, or large storage piece. Available in medium hammered and smooth finishes across all four metals. Custom sizing available. Made entirely to order.Designed by Paul Mathieu for Stephanie Odegard Collection. The Fleur de Lis motif in the Louise series references both the heraldic tradition of Europe and the carving vocabulary of Rajasthan's workshops. The full dresser at nine drawers is Paul Mathieu's largest application of that reference. Produced in Udaipur.Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Antiqued White Bronze surface will gradually mellow in tone over time, which is part of the material's natural character.The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.