Fragment 03 floor lamp by Sing Chan Dimensions: W 32 x D 32 x H 206 cmMaterials: Stainless steel, glass.All our lamps can be wired according to each country. If sold to the USA it will be wired for the USA for instance.After passing through the bleak subway, we arrive at the top floor, where many lofty and white spikes converge. Against the background of night and spotlights, it is like the convergence of many straight rays, and its intricate decorations are like stars. It has a charm that is not found in the age of minimalism. My hands and body trembled with excitement, even as an atheist I stood in awe. Faith and imagination can enlarge the boundaries of creation. This is my first time to see Milan Cathedral feeling.Floor lamp body used stainless steel and ultra small grain glass, this mechanism can distort the nature of the direction of the light, the light is outspread feeling got improved, the light was kept in the glass, when you look at it from different height, Angle, light, distribution and interaction, is the Milky Way, is the meteor tail, imaginative, like the small universe of spire.It has a sense of distance, which is a kind of sublimity. It stands on the opposite side of gentleness. It has characteristics that gentleness does not have, like a string that is on the edge of a hair. The vertical development of light and shape is the final result of sensibility.Sing Chan ( Chinese: ???/Xingyu Chen) , the founder of SINGCHAN DESIGN, was born in 1990, and graduated from the Department of Industrial Design in Guangzhou University in 2013. He served as the Design Director for Bentu Design in 2016.Founded his own design studio in 2020, Sing specializes in discovering new revelations from different civilizations and eras, reconstructing them through design methods, and shaping new objects that link the past and the present.Panyu, Guangzhou, China, where Sing grew up, is a small town with a rich history along the Pearl River. In the early years, thanks to the developed waterway transportation, the port of the town has a very close relationship with Hong Kong, the imported cultures, utensils, and values meet and fuse here.It was not until he had been in the design industry for more than ten years that he realized that his understanding of native culture was shallow. He is confused about this, and experience tells him that the truly valuable objects are not groundless and pieced together, but based on historical inspection and adaptation of the times. Sing hopes that his design can be like a story that is worth telling in a lyric way, affecting the present across time.