The demon trolley was designed by mathieu matégot in 1952 and is now one of the most sought-after serving trolleys of french mid-century design. matégot, originally from hungary and based in paris, is considered one of the most important designers of the post-war period. With the development of his special technique of perforated and shaped metal sheets – which he called rigitulle – he created a completely new material aesthetic that makes his furniture unmistakable. the model impresses with its sleek, black-lacquered tubular steel frame on four movable casters, combining lightness and functionality. It features two removable trays in colored, perforated metal – shown here in turquoise and red – as well as a permanently integrated black shelf. This combination allows for both decorative accents and flexible everyday use. The removable trays can be used independently of the trolley, demonstrating the trolley's versatility. typical of matégot is the synthesis of rigor and playfulness: clean geometric lines meet colorful accents and delicate structures. The demon serving trolley impressively embodies the lightness and modernity of the french design avant-garde of the 1950s. Today, it is considered an icon and can be found in important design collections and museums. original matégot pieces are highly sought after due to their innovative material processing and limited production periods. The demon serving trolley is one of his most famous designs and is a sought-after collector's item that impresses as a functional art object in both the home and high-end interiors. condition: this piece is in good, authentic vintage condition. The colored lacquered trays show slight, age-related signs of wear and a subtle patina, but are stable and fully functional. The frame shows minimal paint abrasions, emphasizing its original character, and the casters run smoothly. Overall, a well-preserved original piece with a special appeal and high collector value. dimensions: l70 x w44 x h75.5 cm this piece is attributed to the mentioned designer/maker. It has no attribution mark and no official proof of authenticity, however it is well documented in design history. I take full responsibility for any authenticity issues arising from misattribution