Lounge Chair by Joseph-André Motte for Steiner, France, 1950s This rare lounge chair, designed by Joseph-André Motte and manufactured by Steiner in France during the 1950s, is a striking embodiment of mid-century French modernism. Celebrated for his ability to merge architectural rigor with modern comfort, Motte created this piece early in his prolific career — a period that helped define the visual language of postwar design. Steiner, one of France’s leading modernist furniture producers, collaborated with avant-garde designers to bring bold and forward-thinking creations to the public. Their partnership with Motte resulted in some of the most iconic seating of the era, and this chair is no exception. It reflects both the innovation of Steiner’s production methods and Motte’s elegant yet functional design philosophy. The chair’s distinctive silhouette features a gracefully reclined backrest and wide seat, providing a lounge-worthy posture without excessive bulk. Its enameled black steel base forms a clean, angular structure that contrasts beautifully with the textured red upholstery. The fabric, original to the piece and in remarkably preserved condition, showcases a fine grid pattern that adds subtle dimension and vintage authenticity. with its balanced proportions and sophisticated materials, this piece highlights Motte’s dedication to human-centric design and his talent for achieving aesthetic purity through restraint. It’s both visually impactful and deeply comfortable — a hallmark of his early furniture work. A rare find in today’s market, this chair holds historical and collector significance. It would make a refined statement in a curated interior, whether as a standalone accent or as part of a broader mid-century ensemble. Its provenance — combining a master designer and one of France’s most respected manufacturers — ensures lasting value and enduring appeal. An essential piece for collectors of French modernism and a true testament to the innovation of 1950s design. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no official proof of authenticity, however it is well documented in design history. I take full responsibility for any authenticity issues arising from misattribution