This sculptural work stem from the need to make approach to the human figure three-dimensional. This exploration of the human body began with cut-out shapes in iron or tar, which were then printed on paper, evolving into three-dimensional sculptures in ceramic, using raku firing, or made with synthetic resins and marble powder. This piece, crafted with synthetic resins and later painted with marble powder and pigments, depicts a figure with a hand resting on its head.