This piece arise from the need to make the approach to the human figure three-dimensional. The study of the human body began with cut-out shapes in iron or tar, later printed on paper, evolving into three-dimensional sculptures in ceramic through raku firing or created with synthetic resins and marble powder. The anthropomorphic form nearly disappears, giving way to a remnant of an organic fossil. The technique consists of synthetic resin, later painted with marble powder and wax.