In this sculpture, the study of the human body began with cut-out shapes in iron or tar, later printed on paper, and evolved into three-dimensional sculptures in ceramic through raku firing or created with synthetic resins and marble powder. In this piece, made with synthetic resins and painted with marble powder, wax, and pigments, an ethereal face is depicted, enveloped by the patina of time. The base consists of a block of solidified tar, enhancing the sense of temporal transformation.