Coil #1 Low Cabinet By Bram Kerkhofs

Coil #1 low cabinet by Bram Kerkhofs.Dimensions: H 63.5 x L 80 x W 40 cmMaterials: Stainless steel, aluminium, elastic rope (natural rubber, polyethylene).Other dimensions are available.COIL is a modular cabinet system in which the ‘shell’ is formed completely around a base as a semi-transparent curtain from a vertical and parallel woven elastic rope. It forms the middle between a Classic open rack and a display cabinet and can be used on all sides. Coil redefines the cabinet as an object in its use. To put something in or to get it out, the elastics have to be pushed aside. Coil is a good example to clarify my dealings with materials and their properties. To be able to attach the elastic rope, the rope must be stretched so that the rope becomes thinner. The top and bottom shelf of the cabinet are provided with a specific cut-out curve at the edge so that the stretched elastic can be inserted, after which it relaxes nicely in the recessed opening. Due to its modular construction, the coil can vary in height by 40 cm each. The inner shelves are slightly smaller. This keeps them away from the screen. Coil has a fixed rounded rectangular format of 40 x 80 cm (W x H) and can be combined with quarter circle modules with a radius of 40 and 80 cm. This makes it possible to build freestanding walls as a composition of curved and straight forms, as functional room dividers.BRAM KERKHOFS (° 1977) is a Belgian furniture designer looking for new forms and methods to Challenge the functionality and flexibility of a furniture piece. Educated as a goldsmith he is fascinated by connections, hinges, knots and joints, and especially by the functional opportunities they generate. His work is filled with mathematical principles resulting in intelligible algorithms to make them understandable. He draws particular attention to the relationship between construction and material, bringing simplicity into complexity, with a lasting alertness to the final function. This time-intensive design and development process results in innovative construction systems automatically expressing his signature. Many of his designs must be seen in a bigger picture, as parts to a whole, in which he explores the endless possibilities for links, combinations and variations. Bram wants to clarify complex constructions and gives the consumer and the spectator insight into his thinking process. That is why his work partly revolves around people, as the manipulators of his modular furniture, but above all, Bram aims to influence through collaborations with his interns, apprentices and students and with the wider world around him through workshops and lectures al around the globe.