In a Hollywood Regency interior, the Long Vaisseau Bench in Medium Hammered Copper is the piece that goes at the foot of the bed and makes the room complete. Ninety-six inches of arching Medium Hammered Copper metal, the sides curving inward at the waist and flaring at each end, the lid opening to a teak-lined interior with a removable inset tray. At 17 inches tall it is at sitting height; at 96 inches wide it is the scale of a room element rather than a piece of furniture placed in a room.The wooden structure is built to the hourglass profile before Medium Hammered Copper metal sheets are pattern-cut and fitted by hand in sections across the length. The curved sides are covered without visible join, secured with flush-set nails. The lid is hinged and finished in Medium Hammered Copper metal. Interior: teak-lined with removable tray.Measures 96 by 16 by 17 inches. Functions as a storage bench, bedfoot chest, long ottoman, or blanket box. Hinged lid with removable interior tray. Available in all twelve standard finishes. Custom sizing available. Made entirely to order.Designed by Paul Mathieu for Stephanie Odegard Collection. The Long Vaisseau Bench carries the Indian metal-clad tradition Paul Mathieu encountered and the curvaceous formal language of the Louise series to a scale that belongs in the Hollywood Regency interior's most considered rooms. Produced in Udaipur.Made to order, each piece may show slight variations that are a natural result of handmade metal-clad production. The Medium Hammered Copper surface will gradually mellow in tone over time, which is part of the material's natural character.The images shown in this listing may be photographed in different lighting conditions or may include 3D illustrations created to represent the available finishes. We warmly encourage customers to request an individual sample or a complete sample set of all twelve finishes to experience the surface, tone, and character firsthand.Please note that moisture in the air, seasonal climate shifts, and the natural movement of wood over time may cause the metal surface to develop slight wrinkles or occasional bubbling. We use well-seasoned reclaimed teak and high-quality marine-grade MDF wherever technically possible to minimise these natural effects, but complete stability of metal cannot be guaranteed.All smooth finishes will show subtle tool marks. These are not defects but a natural and unavoidable result of hand-working and hand-polishing metal sheets. Our hammered finishes are recommended where a more textured, forgiving surface is preferred.None of our metal-clad pieces are sealed with a permanent protective coating. This allows the metal to age naturally and beautifully over time. We polish every piece carefully before packing. A clear PU coat can be applied on request.The antiqued white bronze finish will react with natural elements the fastest in the beginning, but it too will stop reacting and settle into a stable state like copper after 6-12 months. Since it is already antiqued and looks intentionally tarnished, this early reaction does not change the overall appearance. In that way, this surface is the most forgiving.The antiqued white bronze finish is done by applying an acidic chemical over the white bronze to recreate a natural patination. Like the aging of silver, copper, or brass, the final result and colour uniformity cannot be guaranteed. The goal of this finish is to achieve rainbow-like tones with dull, shiny, cloudy, and lightly streaked patches to give an illusion of antiquing.As a default practice, we offer a protective wipe-on PU coat only on this finish. If a designer prefers the natural, uncoated aging, we can leave it untreated just like the other finishes. A PU coat helps keep the surface looking the same as when shipped, but it does not create a fully uniform patina; natural variation will always remain part of this finish.