Table lamp with diffused/indirect light not dimmable, with triple light controls.‎ The triple light control allows to illuminate the base, the top and bottom separately.‎ Painted metal frame.‎ Diffuser and base made of satined and blown glass.‎ Black power cable, plug and switch.‎ European two-pole plug.‎ Bulb not included.‎MATERIAL DESCRIPTIONstain glassCOLOR DESCRIPTIONblack or whiteGROUP TENSIONBulbENERGY CLASSA++ >> ERECOMMENDED SOURCE- LED 1x21W E27 (2700K, 2500Lm) + LED 4x4W E27 (2700K, 4x400Lm) + LED 2x4,5W E14 (2700K, 2x470Lm)or- HA 1x100W E27 (2900K, 1800Lm) + HA 4x46W E27 (2700K, 4x700Lm) + HA 2x30W E14 (2700K, 2x405Lm)MADE INItalyALIMENTATION CABLEBlackDIMMERNot dimmableDesigned in 1954 by the famous French Master glassmaker and decorator Max Ingrand, this lamp was originally named 1853 and, at a later time, Fontana, in homage to the company of which the Master was Artistic Director for a decade.‎ For design enthusiasts and connoisseurs of the brand’s history, 1853 still remains as a sort of nickname.‎The first symbol of timeless object of design, still today best seller and evergreen design icon, Fontana is the abat-jour par excellence.‎ The peculiarity of Fontana is its multiple light sources: both the base and the lampshade contain one or more.‎ The larger version also allows indirect lighting, thanks to an additional source that projects a beam of indirect light upwards.‎ The differentiated light sources make it possible to satisfy different lighting needs: from a soft, relaxing glow to a sharp beam for reading to suggestive ambient light.‎ Available also with Led light sources.‎ A fabulous lamp in frosted white blown glass, already riedited in a total black variant, it is now proposed in a colored and brand new version - light grey and purple amethyst - to reinforce the contemporaneity of the project.‎ “Light and colour are centrainly the most specific elements in nature.‎ With them we have RELIEF, MOTION, LIFE” stated Max Ingrand.‎ “Actually the history of architecture tells us what was the role of illuminated, opaque, translucent colour in interior and exterior architecture (…)Light was no longer just a means to breathe life into colour but became a means to breathe life into an entire architecture.‎”