Original lithograph "Lithographie d'apres la Maquette de la Mosaique" (Lithograph after the Model for a Mosaic) by Marc Chagall, which was a mosaic created by Chagall for the Maeght Foundation museum titled "Les Amoureux".  Printed in Paris by Mourlot Frères in 1964.  Mourlot Frères was one of the most renowned fine-art printers in history.  For over 150 years, Mourlot was almost synonymous with lithography, producing work of such excellent quality that it was clear they had attained the height of printing mastery.  While the studio closed in 1999, the works and the process established by its inception remain accessible via prints such as this.  Signed in stone lower right.  Image size: 11 x 10-1/2 inches; sheet size: 15 x 11 inches.  Mint condition, from our complete "Foundation Maeght" edition of Derriere Le Miroir.  Marc Chagall (1887 – 1985), was a Russian-French artist.  He developed an early interest in art.  After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony.  While on a visit home, the outbreak of World War I trapped Chagall in Russia, and did not return to France until 1923.  Chagall was forced to flee the country and Nazi persecution during World War II, leaving France in May 1941, when it was almost too late.  During his asylum in the United States, Chagall became involved in set and costume design before returning to France in 1948.  Ironically, it was these non-easel works that caused his artwork to become more widely recognized.  Fusing his own personal, dreamlike imagery with hints of the Fauvism and Cubism, Chagall created a highly recognizable style outside that of any movement.  In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works.  Perhaps the most famous of these are the two enormous murals he painted in 1966 for the then new Metropolitan Opera House, entitled "The Triumph of Music" and "The Sources of Music".  The murals are now considered among New York's most important treasures.  They are large enough to be visible from Broadway across the plaza of Lincoln Center.  Due to his long, productive life of 98 years, Chagall was the last survivor of the first generation European modernists, outliving Joan Miró by two years.