Antique Roman Sculpture Engravings Set of 3 – Montfaucon 1721 Plates A striking and scholarly set of three early 18th-century engravings depicting classical Roman sculpture and antiquities, taken from Bernard de Montfaucon’s monumental work Antiquity Explained, and Represented in Sculptures, published in London in 1721. These plates form part of one of the most ambitious antiquarian publications of the Enlightenment, combining archaeology, art history, and classical scholarship in a richly illustrated format. The first plate is dominated by a monumental classical statue, rendered with remarkable depth and sculptural clarity, accompanied by smaller studies of draped female figures and funerary reliefs. The composition reflects Montfaucon’s method of comparing sources, with references to earlier antiquarians such as Boissard and Le Brun. The second plate presents a lively array of Roman figures and ritual objects, including priests, attendants, and symbolic implements, drawn from sources such as Spon, Maffei, and Beger. The third plate continues this visual catalogue with a series of finely engraved statuettes and a large architectural plan, attributed to Serlio, illustrating the intersection between sculpture and architectural context. Together, the three engravings offer a compelling overview of classical form, gesture, and iconography, capturing the Enlightenment fascination with antiquity. The engraving quality is crisp and confident, with fine linework and balanced compositions typical of early 18th-century copperplate printing. The uniformity of the plates—consistent margins, plate marks, and paper tone—makes this an ideal and cohesive set for display. This group is particularly appealing for collectors of classical art, interior designers seeking refined historical decoration, or scholars interested in the development of antiquarian studies. When framed together, the combination of figural elegance and architectural detail creates a strong visual narrative rooted in classical tradition. Note: The print is an original antique engraving, not a reproduction. All items we offer are authentic period works of art over 100 years old. The piece is sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale. Condition: Good antique condition with age toning, light surface marks, and occasional spotting consistent with early 18th-century paper. Edges show minor wear and handling, with visible plate marks and generous margins retained. Overall, the prints present very well and remain structurally sound. Framing tips: These engravings work beautifully as a set of three in a symmetrical arrangement. We recommend dark walnut or ebonized frames with wide ivory or off-white mats to emphasize the contrast and bring out the fine engraving detail. Museum-style presentation enhances their scholarly and decorative impact. Technique: Copperplate engraving Maker: After Bernard de Montfaucon, France/England, 1721