Brad Davis, pencil signed, titled and dated, Provenance Shearson Lehman Brothers collection, overall: 32.375''h x 39.375''w Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the University of Pennsylvania, and at other museums and galleries in the United States and in Europe. Solo shows 1992 Brad Davis, recent paintings - Holly Solomon Gallery, Nueva York, NY Group shows 18 2015 Illusion and Shock - Иллюзия и потряс - Victoria Art Gallery, Samara 2007 Pattern and Decoration - An Ideal Vision in Contemporary Art, 1975-1985 - Hudson River Museum, Yonkers, NY 2003 The LAPD Project: The Legacy of Pattern and Decoration - Shoshana Wayne Gallery, Santa Monica, CA Expanding Expressions: Contemporary Prints from the Dorothy Mitchell Collection - Tarpon Springs Campus, Tarpon Springs, FL 1985 Made in India - Museum of Modern Art (MoMA), Nueva York, NY 1981 Alternatives in Retrospect: An Overview 1969-1975 - New Museum of Contemporary Art, Nueva York, NY Street Sights 2 - University of Pennsylvania, Philadelphia, PA 1980 Selections from the Art Lending Service - Museum of Modern Art (MoMA), Nueva York, NY Drawings: The Pluralist Decade - University of Pennsylvania, Philadelphia, PA 39th Venice Biennale - La Biennale di Venezia, Venecia Dekor - Modern Art Oxford, Oxford Dekor - Amerika-Haus Berlin, Berlin Dekor - Mannheimer Kunstverein, Mannheim Dekor - Städtische Kunsthalle Mannheim, Mannheim 1978 New Art for the New Year - Museum of Modern Art (MoMA), Nueva York, NY 1977 A Painting Show - MoMA PS1, Nueva York, NY Painting 75/76/77 - CAC - Cincinnati Contemporary Arts Center, Cincinnati, OH 1975 Artists Make Toys - MoMA PS1, Nueva York, NY Pattern and Decoration Movement - Miriam Schapiro - Robert Kushner - Joyce Kozloff - Kim Maconnel - Brad Davis - Valerie Jaudon - Robert Zakanitch - mid 1970s/early 1980s - has been called nameable, locatable, art movement in the modernist era - the movement was one aspect of the reaction against the stark impersonality of Minimal art and also represented a defense of the idea that decorative art is humanizing influence that should not be regarded as inferior to "fine" art - many of the artists involved were women interested in exploring how the decorative crafts that traditionally carried feminine associations could bear new progressive meanings USA Crown Point Press, San Francisco, CA Portugal Berardo Museum, Lisbon Polk Museum of Art, Lakeland, FL The Fabric Workshop and Museum, Philadelphia, PA