Antique print titled 'Principal Front of Hagley'. Main facade of Hagley Hall, Worcestershire. Hagley Hall is a Grade I listed 18th-century house in Hagley, Worcestershire, the home of the Lyttelton family. It was the creation of George, 1st Lord Lyttelton (1709–1773), secretary to Frederick, Prince of Wales, poet and man of letters and briefly Chancellor of the Exchequer. Before the death of his father (Sir Thomas Lyttelton) in 1751, he began to landscape the grounds in the new Picturesque style, and between 1754 and 1760 it was he who was responsible for the building of the Neo-Palladian house that survives to this day. After a fire in 1925, most of the house was restored, but the uppermost floor of the servants' quarters was not, which means that the present roof line between the towers is lower than it was when first constructed. The estate fell into disrepair and incurred a mounting debt beginning in the 1970s. The 11th Viscount Cobham was forced to sell off large tracts of estate land to keep it afloat (in addition to paying for his high-profile divorce). His brother and successor Christopher Charles Lyttelton, 12th Viscount Cobham began restoration works in both the main house and the park. The park is open to the public and part of the house is available as a venue for hire. As of 2012, the hall is the family home to Christopher Charles Lyttelton, 12th Viscount Cobham and his wife Tessa. This print originates from 'Vitruvius Britannicus' by Colen Campbell. Artists and Engravers: Colen Campbell's Vitruvius Britannicus is considered one of the greatest eighteenth-century English architectural works. Campbell published the first three volumes between 1715 and 1725, but the text was continued in two subsequent volumes by Woolfe and Gandon in 1767 and 1771. The work is comprised of large, finely engraved illustrations, plans, and cross sections of English country houses and parks. Artist: Colen Campbell's Vitruvius Britannicus is considered one of the greatest eighteenth-century English architectural works. Campbell published the first three volumes between 1715 and 1725, but the text was continued in two subsequent volumes by Woolfe and Gandon in 1767 and 1771. The work is comprised of large, finely engraved illustrations, plans, and cross sections of English country houses and parks. Condition: Good, age-related toning. Blank verso. Minor wear, please study image carefully. Date: c.1770 Overall size: 56.5 x 39 cm. Image size: 34.5 x 15 cm. Antique prints have long been appreciated for both their aesthetic and investment value. They were the product of engraved, etched or lithographed plates. These plates were handmade out of wood or metal, which required an incredible level of skill, patience and craftsmanship. Whether you have a house with Victorian furniture or more contemporary decor an old engraving can enhance your living space. We offer a wide range of authentic antique prints for any budget.