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Cecily Brown All The Nightmares Came Today Limited Edition Print

1st Dibs

$1,500

Print: Full color digital archival print on Epson Hot Press Natural 330g/m2Size: 508 x 610 mm (20 x 24 in)Edition of 100This work will come with a signed and numbered archival label adhered to the back of the print,(2012-2019).Produced with the support of Kering, a global luxury group committed to the empowerment of women, this charitable limited-edition print is part of a portfolio celebrating Phaidon's Great Women Artists, the most extensive illustrated book on women artists ever published. The book tells the stories of over 400 artists spanning 500 years and reveals a parallel yet equally engaging history of art for an age that champions a great diversity of voices. The Great Women Artists print portfolio offers collectors the opportunity to acquire affordable works by some of the most celebrated and sought-after women artists of our time, while contributing to a worthy cause.Presenting a world that pulses with excesses and appetites, Cecily Brown explores the breadth of human experience in tactile oil paintings. Broadly inspired by the history of painting—from Rubens and Veronese to the muscular expressionism of Willem de Kooning—Brown's personal vision transcends classical notions of genre and narrative, freeing subject matter from its original context and positioning it within a new aesthetic reality characterized by overt sexual imagery and an Abstract Expressionist gestural style, Brown's work has emerged some of the most influential of her generation. Her large-scale canvases often feature figures engaging in sexual acts under a veil of color, as seen in Sweetie (2001), a semi-abstracted couple captured mid-coitus and rendered in bright pinks and purples.Cecily Brown draws inspiration from sources as diverse as Goya, Joan Mitchell, and Willem de Kooning, and her paintings combine aspects of both figuration and abstraction. Borrowing the names of classic novels, plays, and Hollywood films (such as The Fugitive Kind, High Society, or The Pajama Game) and utilizing a wide-ranging color palette, from faint pastels to lavish oils, she seems to draw from the best of both Cézanne and early Pollock.

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