A singular painting from a series of large-format artworks that revisit the works of ancient Renaissance and Baroque masters from Italy, this piece depicts details from Caravaggio's "Crucifixion of St. Andrew". The crucified saint is portrayed in a stylized version, ousted from its naturalistic context to immerse in a metaphysical space. Painted on paper with alcohol colors and pigments, lines, and patterns are made with the use of an intaglio press.