Untitled watercolor on paper, 16x13 cm the artist has employed watercolor as the medium, which involves diluting pigments with water to create translucent layers and delicate washes of color. This technique often results in a soft and fluid appearance, allowing for a range of expressive possibilities. in this particular piece, the artist has chosen to explore abstraction, focusing on the interplay between green and black hues. The use of green may evoke various associations such as nature, growth, or renewal, while black can convey notions of darkness, mystery, or depth. since the painting is abstract, its interpretation is subjective and open to individual perception. The absence of a specific title further emphasizes the artist's intention to allow viewers to engage with the artwork based on their own emotional responses and personal experiences. dzidra ezergaile (1926-2013) born in riga. School years alternate with summer work in the countryside. In 1947, she began her studies at the faculty of architecture of lvu, but in 1951 she transferred to the state academy of arts of the lpsr, graduating as a graphic artist - poster artist. Since graduating, she worked as an artist in the editorial office of the magazine "woman of soviet latvia". member of the union of artists since 1962. she works in portrait graphics using the printmaking technique and also paints watercolors. The most popular themes of her work are landscape and portrait, she has done a lot of bookmarks and illustrations. Graphic compositions dz. Ezergaile sets with line and rhythm, which determine the emotional nature of her works. Most often they are etchings printed in cinco type. dz. Ezergaile has participated with her works in art exhibitions of the republic, the all-union and abroad since 1956. Has held personal exhibitions: the most important in riga in 1962, 1969, 1970, 1972, 1976, 1986; in 1969 in the history museum of the lpsr; in 1970, in the museum of local history and art in madona. this piece is attributed to the mentioned designer/maker. It has no attribution mark and no official proof of authenticity, however it is well documented in design history. I take full responsibility for any authenticity issues arising from misattribution