This series features works on paper glued to canvas or wood, focusing on insects and plant forms. Patterns are created using an intaglio press, then painted with alcohol paints and pigments, often leaving traces of charcoal. The artist’s research aims to recover a lost memory, rooted in humanity’s origins and the first rock graffiti, a language formed through archetypes. Using iron templates, shapes reminiscent of human and vegetal figures emerge, balancing sign and form.