The work of Japanese-American graphic designer Tomoko Miho is marked by balance, harmony, and a clean, understated elegance. During her four years with George Nelson’s office in the 1960s, Miho redefined Herman Miller’s corporate graphics. Among her standout work was a brochure cover that featured a stylized version of the Herman Miller logo, saturated in bold colors and accentuated with geometric lines. To celebrate her place in history, Miho’s design has been faithfully reproduced as a series of high-resolution posters printed in three colorways.