Morning Madness - Original Abstract Expressionist Lithograph Original black and white abstract geometric lithograph by Renee Flower (American). The image features a black and white abstract composition with various shapes resembling faces, containers, and other objects, arranged in a stacked or collage-like manner. The style is reminiscent of cubism or abstract expressionism, with bold lines and geometric forms. She illustrated Lewis Carroll's the Complete Sylvie and Bruno 1991 for or Mercury House Publishers. Signed "Renee Flower" lower right. "20/150" bottom left. This being 20 of the edition of 150 published in book form Presented in a gold metal frame. Frame: 16.5"H x 12.25"W Paper: 15.5"H x 11.5"W Image: 11.5"H x 8.5"W Renée Flower is both a painter and an illustrator. She delights in creating colorful images that portray humor in the simple things in life. Her illustrations often combine linear patterns, simple geometric forms, animals, text, and anthropomorphized household objects. Artistic Style and Techniques Flower employs mediums like pencil, watercolor, gouache, and chalk. Her images feature dark outlines with flat areas of color and a direct, graphic, and child-like drawing style. She is known for her careful use of color and well-balanced compositions. Illustrations She has illustrated children's books for publishers like Harper-Collins and Simon & Schuster. She illustrated a new edition of Lewis Carroll's "Sylvie and Bruno" for Mercury House. Flower's work also includes poster art for organizations such as the San Francisco Ballet and Cabrillo Music Festival. Other Activities and Interests: Flower is an exhibiting fine artist with over three decades of experience. She graduated from the University of California, Santa Cruz (UCSC) in 1979 with a B.A. in Art and later returned to complete coursework in environmental studies. Renee Flower is both a painter and illustrator. Rene delights in creating images that portray humor in the simple things in life. Renee uses pencil, watercolor, gouache, ink, and chalk in the creation of her work. Her images are rendered using dark outlines filled by flat areas of primary and secondary color, with her drawing style being direct, graphic, and purposefully child-like. Her use of color is carefully considered, and her compositions are well balanced. Her pieces combine linear patterns and simple geometric forms with animals, text, and anthropomorphized household objects.