This picture is closely related to?Still Life: Flowers, 1885 (Solomon R. Guggenheim Museum, New York), which depicts the same vase-with its distinctive elephant-head handles-and wood table or dresser. Featuring an autumnal bouquet and Cezannesque arrangement of prickly pears, the present still life was likely painted the same year, in the wake of a visit with Cezanne that summer. At this time, Renoir sought to combine the luminosity of Impressionism with a greater degree of classicism, prompting him to explore techniques that would emulate the dry, light colors of Italian frescoes, which have led to some surface cracks.�