One of Gauguin's most treasured possessions was a painting by Cezanne, Still Life with Fruit Dish?(1879-80, now Museum of Modern Art, New York ), which he emulates in this picture. Within a similarly compressed space, Gauguin substituted mangoes for Cezanne's apples and a Tahitian-style printed cloth for a French floral wallpaper design. One significant departure is the human figure at the upper right, glimpsed through a door or window. The year after he completed this work, Gauguin's finances were so dire that he arranged for the sale of his prized Cezanne.