Who says you can’t hang a painting bursting with flowers in an all-neutrals room? At no risk of disturbing the peace, here’s an artwork done of roses and anthurium in surprisingly restful hues. Unexpectedly, the energy is in the impasto technique…an intriguing counterpoint. Keep its original ‘50s French Provencial frame or, going for another counterpoint, reframe it in a thin edging of gold-leaf, topped by a painting light to ensure that it's the subtle center of attention amid all that café au lait or greige. Signature located bottom right.