Foam clay, acrylic and enamel on fir wood circular relief that combines lunar bas-relief with a measured, stitched yellow band; a mixed-media wall sculpture engaging lunar topography and intimate encounter. Foam clay and acrylic on fir wood appear as tactile moon relief; enamel details provide accent and sheen. This mixed-media wall sculpture is executed in foam clay with layered acrylic pigments and enamel highlights on a circular fir wood panel, described here as a moon relief that incorporates a stitched yellow measure-band as a sculptural element. The work uses foam clay to build a shallow bas-relief cratered surface, followed by washes of acrylic to model tonal variation and to suggest lunar dust; enamel is applied to the inserted yellow band for a saturated, slightly glossy finish. Materials are repeated to reflect the work’s visible logic: foam clay constructs the sculptural relief; acrylic on fir wood provides chromatic depth; enamel on foam adds a crisp accent to the measured band. Conceptually, the piece foregrounds encounter and measurement: two diminutive figures stand on a stitched yellow ribbon that reads as a measure, a walkway and a pact—a proposal to meet “halfway” framed within a lunar seascape. The measure-band motif translates human scale into the celestial, aligning domestic tools (tape, stitch) with cosmic topography. This approach continues the artist’s inquiry into the interplay between tactile making and metaphor—where clay modeling and painterly glaze articulate ideas of distance, meeting and mediation. The circular format, executed as a wall-mounted relief, positions the object between painting and sculpture: the surface is read as pictorial field while its modeled depth asserts sculptural presence. For display, this original mixed-media wall sculpture is intended for vertical presentation on a secure hanging point at eye level so that the bas-relief texture and enameled band register clearly. The work responds to interiors seeking layered narrative pieces that bridge figurative suggestion and abstract field—keywords for discoverability include foam clay, acrylic on wood, enamel accents, moon relief, circular wall sculpture, mixed-media bas-relief, tactile lunar seascape. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no official proof of authenticity, however it is well documented in design history. I take full responsibility for any authenticity issues arising from misattribution