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Vintage Mid 20th Century Modern Abstract Joan Miro Lithographs - Set Of 9

Chairish

$240

This mid 20th century set of nine (9) [incl. one double image] vintage color mid 20th century lithographs by Joan Miro (Spain, France 1893-1983) was pulled from an original vintage limited edition 20th century art tome featuring surrealist images by Joan Miro (except for two plates from an original vintage limited edition 20th century art tome featuring a collaboration of surrealist woodcuts by Joan Miro and surrealist poetry by poet Paul Eluard, reproduced in Geneva Switzerland and published by Brazilier in the USA in 1984) Seven (7) of the plates were printed by Verlag Gerd Hatje, Stuttgart, Germany and published by Harry N. Abrams, New York in 1958. Printed on substantial stock on one side only.. Miro was one of the world's great mid 20th century modernist/surrealist artists.. Apprx. 10" x 13". Printed on substantial stock. LESS THAN $35 EACH! Great for a huge wall treatment or several smaller groupings. Despite Chairish's statement that shipping may take longer than 3 - 5 days we always ship w/in 3 business days. Delivery usually takes no more than 7 days. We combine shipping whenever feasible. Joan Miró was a Spanish painter, sculptor, and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism.[4] He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult to classify works also had a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favor of upsetting the visual elements of established painting. (Wikipedia)

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