Early 20th century Viennese Secession wicker armchair, produced by Prag-Rudniker Korbwaren-Fabrikation, one of the most important manufacturers of bentwood and wicker furniture in the Austro-Hungarian Empire. Executed in painted rattan over a bentwood frame, the chair features a distinctive architectural silhouette with a gently peaked backrest and a central geometric aperture. The structured composition, use of repeated linear elements, and emphasis on symmetry reflect the refined design principles of the Vienna Secession, where geometry and craftsmanship replaced historicist ornament. The design aligns with the progressive aesthetic developed around the Wiener Werkstätte, particularly in the work of Josef Hoffmann and his circle—including Koloman Moser, Otto Prutscher, and Josef Zotti—who collaborated with Prag-Rudniker in the early 20th century. The chair embodies their approach of reducing form to essential geometry while maintaining a strong decorative rhythm through material and construction. The interplay between solid woven surfaces and open geometric detailing demonstrates the Secessionist balance between function, structure, and ornament—hallmarks of early modern design. An original metal label is preserved on the reverse, indicating Prag-Rudniker Korbwaren-Fabrikation and Viennese retail distribution, consistent with period production. ⸻ Provenance Reportedly sourced from Hotel Panhans, Semmering, Austria, a historic resort closely associated with Viennese cultural life around 1900. This piece has an attribution mark, I am sure that it is completely authentic and take full responsibility for any authenticity issues arising from misattribution