A beautifully composed antique engraving after Jean-Honoré Fragonard, titled La Bonne Mère (The Good Mother), rendered in a warm sepia tone and presented in an elegant oval format. This engraving, executed by Nicolas de Launay (1739–1792), translates Fragonard’s original 1779 composition into a finely detailed print, capturing the softness, intimacy, and emotional warmth characteristic of the artist’s work. The tender domestic scene, centered on motherhood and quiet affection, reflects the refined sensibility of late 18th century French Rococo transitioning into early Neoclassical taste. The inscription “Fragonard pinxit 1779” and “de Launay sculpit” appears along the lower edge of the oval image, affirming its connection to one of the most celebrated painter-engraver collaborations of the period. This example is likely a 19th century impression after the original plate. Presented in a gold-toned frame with double matting in ivory and dusty rose, the palette complements the sepia print beautifully, giving the piece a soft, romantic presence while maintaining a structured, classical feel. ⸻ Details: • Artist: After Jean-Honoré Fragonard • Engraver: Nicolas de Launay (1739–1792) • Title: La Bonne Mère • Medium: Engraving (sepia tone) on paper • Date: Likely 19th century impression • Frame size: 23” H x 18 1/2” W • Matting: Double mat (ivory outer, dusty rose inner) • Frame: Gilt with fine beaded detail ⸻ Condition: Very good antique condition with even toning consistent with age. The print presents beautifully. Frame is in good condition with light, age-appropriate wear. ⸻ Overall: A graceful and intimate image after one of France’s most beloved painters, offering both decorative charm and historical depth. Ideal for collectors of French prints or for adding a soft, romantic note to a curated interior.