Renée jacobs (born in 1962) a. Nude in foliage (top left) b. Woman in water (top right) c. Seated nude (bottom right) d. Underwater nude (bottom left) unique set of four original photographs (polaroid countertypes) year: 2010 ca. a. 40 x 29 mm b. 42 x 30 mm c. 48 x 34 mm d. 48 x 34 mm overall (as shown with background): 170 x 133 mm each signed in the back by the artist excellent quality ___ the artist renée jacobs is a powerhouse in contemporary photography, bridging the gap between social justice and the erotic. Before becoming a celebrated fine art photographer, jacobs spent fifteen years as a civil rights lawyer. This background in activism is the bedrock of her creative philosophy; her work is not merely about aesthetics, but about the agency, sovereignty, and constitutional rights of women over their own bodies. as a lesbian artist, jacobs provides a vital "female gaze" that stands in sharp contrast to the legacy of photographers like helmut newton. While newton’s work often framed women as statuesque, cold, or submissive within a masculine fantasy, jacobs’ imagery is rooted in intimacy and mutual vulnerability. Her subjects are participants rather than objects, reflecting a queer sensibility that prioritizes emotional connection and authentic desire. she is widely considered one of the most important nude photographers of the modern era, utilising film and polaroids to capture a raw, un-retouched humanity. By reclaiming the nude from the historical male perspective, she transforms the genre into an act of activism. Jacobs proves that the camera can be a tool for liberation, shifting the narrative from how women are seen by others to how they experience themselves. ___ the photos a. This image captures a figure standing amidst lush, oversized tropical foliage. The interplay of dappled sunlight and deep shadows creates a camouflage effect, blending the curves of the body with the organic textures of the leaves to suggest a primal, ethereal connection to nature. b. A serene composition featuring a subject partially submerged in a dark, reflective body of water. The focus is on the graceful arc of the back and shoulders as they break the surface, with the water’s stillness acting as a minimalist, obsidian-like backdrop. c. This intimate portrait focuses on a figure reclining against a rustic, weathered wooden surface. The soft, directional light highlights the delicate contours of the torso and the subtle texture of the skin, creating a quiet, contemplative atmosphere within a textured, architectural space. d. An underwater study that captures a form in mid-motion, suspended in a dreamlike, aquatic environment. The refraction of light through the water adds a soft, luminous quality to the limbs, emphasising the weightlessness and fluid elegance of the body in transit. This piece has an attribution mark, i am sure that it is completely authentic and take full responsibility for any authenticity issues arising from misattribution