Is it possible to paint an abstract Classical picture? If so then this superb piece must surely be it. In the portrait of her head Sappho almost appears as a negative image, much like the Turin Shroud, while behind her head there is a web of Mediterranean colour representing her frame of mind . There are many questions arising from this thoughtful depiction based on the apocryphal story of Sappho plunging to her doom from the sheer cliffs of Lefkada. Monks performed this act as a leap of faith, Sappho is said to have done it for love and died in the attempt. Use of pigments are key to this painting and its interpretation can perforce only be personal. Artist Biography: Sax Berlin (1953), arguably the finest exponent of 21st Century Classicism has devoted his life to absorbing the culture of art and architecture in Europe, Asia & North America. Thus becoming a genius of our time and the great secret of modern art. His contemporaries and collectors call him "The Master". When one reviews his oeuvre 8 distinct & separate styles emerge, displaying Berlin?s mastery of his subject; only Picasso has shown this level of genius. Berlin is a unique artist, using techniques mastered during his studies; ranging from antiquity through the medieval and Renaissance to the present; he creates the visual outcomes he wants and that delight collectors. The pieces Berlin has created in his New York, Greek and Cornish studios are of museum quality and are rarely seen in Art Sales offering a combination of beautiful artworks and investment opportunities. Harvard University refer to him as a Master Artist and use his Buddhist Icon works as exemplars of the form in their Religious Studies degree courses. The President of the Asia Society on Park Avenue, NYC wrote to Berlin that "your work is beautiful" and Bernard Faure, Professor of Asia Studies at Columbia University wrote "your icons really do have a life of their own". Sax Berlin is a modern Master Painter in the truest sense of the term and follows in the footsteps of the Great Masters of the past.